The Art of Writing

A Writers Retreat in Tuscany

Tag: writing motivation (page 1 of 7)

Meeting people who inspire you to learn and grow.

Meeting people who inspire you to learn and grow.One of the glorious things about living in Florence is meeting the most interesting people. I meet travelers, inventors, creators, inspirers, reporters and sometimes I meet someone who
is all of those things. Like Girl in Florence, Georgette Jupe. I am lucky enough to officially announce that Girl in Florence, Georgette Jupe, will join us for the September 10-16 Art of
Writing retreat.

Meeting people who inspire you to learn and grow.It’s a treat to announce this because it means that not only will our September writers have the opportunity to meet one of the loveliest girls but also to chat, drink, dine, bushwalk and generally hang out with Georgette too. She has much to tell us, Georgette. Every time I meet up with her I learn so much. Love that! Don’t you? When you chat with someone and find that you are learning and growing? Am feeling particularly blessed about this amazing group of women (and men!) that will join me this year in Casentino.

Meeting people who inspire you to learn and grow.Who would have thought? All those years ago, when I was 17 years old and a barmaid at the Red Garter in Florence. Who could possibly have known that gorgeous Florentine medical student would become my husband and the father of my two gorgeous babies? That 38 years and four books later, I’d still be here!

Life is a surprise. You never know what your journey is going to be.

I am eternally grateful to Florence and all that she has given me. And thanks to you too for being on this journey with me.

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Check out what our writers are reading this summer.

We have the most wonderful group of professional writers on the Art of Writing team. From New York best sellers to UK literary award winners, our teachers make a living from their writing. That’s our dream job, no? To become a career writer. It’s such an honour to have the wonderful writers listed below on our teachers’ lineup.

So what are The Art of Writing creative writing teachers reading and writing this summer?

New York best sellers list author, Jane Corry, is reading The Breakdown by B. A. Paris. Having just read Jane’s My Husband’s Wife, I was thrilled to see her new book Blood Sisters with Penguin is also out this summer. But what is Jane writing now? “This European summer will be a busy few months. I am writing next year’s book for Penguin, The Dead Ex.” What a gift to have Jane’s advice and guidance next year. After her three book Penguin deal, Jane will have much to teach us from June 3-9, 2018.

Out wonderful Manuscript Reader and teacher, Emma Fraser told me yesterday that she has just finished reading His Bloody Project by Roderick Macrae. Emma has just picked up The Client by John Grisham (apparently she put it aside for a while) and when that’s finished Emma will read The House by the Lake by Thomas Harding.

Every time I speak to Emma she is on a tight publishing contract deadline, this time it’s a three book deal with Little Brown. “I’m currently writing a multi-generational novel about love, betrayal and atonement set against the background of the Fall of Singapore and Scotland. It’s called Greyfriars and is due out in January 2018!” And away she went to get on with revisions!  

From September 10-16, 2017, multiple award-winning and internationally renowned British author of five novels for adults and three for young adults, Martyn Bedford will join us in Tuscany. Martyn’s book Flip managed to keep my 15 year old son’s interest from beginning to end. No small feat.

Chatting to Martyn this week he said he was just back to the UK after three days in Italy. “I was taking part in the Mare di Libri (Sea of Books) Festival of writing for children and young adults. When I go abroad I always try to read a book from that country, so I took Elena Ferrante’s My Brilliant Friend. It’s the first of her highly acclaimed Neapolitan quartet. Okay, the novel is set in Naples rather than Rimini, where I’ve been staying, but it’s a literary flavour of Italy nonetheless. As many readers and critics before me have been, I am absolutely engrossed by the tale of Lenu’s and Lila’s turbulent friendship during childhood and adolescence. No doubt, I will take the second book with me when I visit Tuscany for my week’s tutoring with the Art of Writing from September 10-16!”

Having read the Elena Ferrante books I am looking forward to talking to Martyn about them.

So what is Martyn writing right now? “I’m forty thousand words into the first draft of my new novel for teenagers and young adults, The House that Jacaranda Built. I don’t like to talk about novels-in-progress before at least a draft is completed, in case the idea goes stale on me for being “explained” before it’s written. So I’ll just say that it’s the tale of a family that offers refuge to a homeless teenager who they find asleep in the doorway of their café, and the consequences arising from their decision.”

Am always fascinated to hear what writers are working on and also what they’re reading. This Blog makes for a good Summer Reading List! Thanks so much to The Art of Writing writers for their thoughts and best wishes to everyone for a productive summer of writing.

Hugs from Florence!

Lisa

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

So what’s your protagonist’s transformation?

So what's your protagonist's transformation?Tricky business, sometimes, understanding how your character must change or grow. How almost all stories happen at a crossroads in your character’s life, how a story pivots around a fork in their road. Sometimes the story happens at their crisis point, their threshold moment.

It’s a story essential. Your character must evolve. He/she must go from ‘something’ to ‘something.’

So what's your protagonist's transformation?Weakling to warrior?

Bad to good?

Good to bad?

Happy to sad?

Faith to faithless?

Arrogance to humility?

Dependent to independent?

So what's your protagonist's transformation?These are just ideas, some simple changes to illustrate what I mean, but it’s good to keep it simple. If you think about every movie you’ve ever seen, the main character undergoes some kind of transformation. How is the main character in your book changing? From what to what? It’s super important that you know that clearly now. Don’t leave it till later, work it out now then show the changes through action. Don’t tell the changes, show them.

So what's your protagonist's transformation?In my new book Lana is weak, indecisive. She lets her Italian husband Santo make all the decisions because she doesn’t feel that she is knowledgeable enough about the ways of Italy to make the decisions. But this hesitant behavior of Lana’s changes because of the pivotal moment, the crisis event in her life. Lana goes from insecure to secure, basically from weakness to strength. However she loses something along the way – her ability to trust people. Lana, while gaining self-worth, loses her innocence and naivety. She will never believe in people in quite the same way again. It sounds corny, cheesy really, and rather ‘already done’. But remember, this is your story, your character, your imagination, your voice. So it will be different.

How does your character transform? Can you put it in three words?

So what's your protagonist's transformation?

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

9 tips to get your writing done for the day

Here are some of my top tips to get your writing done and avoid procrastination. I hope they are useful for you.

1. Do not answer any emails before you start creative writing! Don’t even open your email programme. Don’t be tempted to have a peek because you’ll waste time answering emails when you must get straight into your writing.

2. Do not check your Facebook page. Resist the temptation. Get straight into your creative writing head space.

3. Do not do any social networking, like Tweeting, Instagram, LinkedIn or anything. Get straight into your creative writing head space.

9 tips to get your writing done for the day

4. Take the phone off the hook (or turn it on silent). Your family and friends will know that you’re fine, just taking time out to write without being disturbed. They will understand that this is your precious time. They’ll send you a text if there’s something urgent. Phone calls distract and yank you out of your creative space.

5. Take what you’re working with you everywhere. It’s surprising how many queues can give you enough time to find the right word or phrase.

6. If you’re taking the children to swimming or their competition sport, don’t take the papers to read whilst you wait for them, take a part of the book that you’re working on.

9 tips to get your writing done for the day

7. Print the page that you left off on, and leave it on the bench in the kitchen or anywhere that you can see it. Keep it top-of-mind. Ideas will come as that page stares at you.

8. Use flashcards, or filing cards and write in large bold print what the current problem is with your work. IE: How to start chapter XYZ. Or XYZ needs a mannerism, what is it? Leave the flashcard somewhere you can see it all the time.

9. Leave the radio off in the car. Use all that driving time to think the storyline through, solve plot line problems.

When you are in the middle of a writing project like a book, it is always alive within you. You carry it with you in your soul. Always let it rest in your heart. No matter where you are what you’re doing, it is always with you. 

9 tips to get your writing done for the day

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Find the right words, and learn how to keep them from getting away.

The right words, unique thoughts, perfect phrases, stunning sentence construction – why is it that they often come unbidden when you’re away from your computer?

It’s interesting how prose flows when you drive your car, take your shower, cook your dinner or hear a certain song.

Find the right wordsThere is something about doing something else that clears your mind and lets the right words come. Sometimes we sit at our computers for hours and labour over the right expression but it does not emerge. It seems as though our conscious mind is blocking the flow of our creativity and that once we step away from forcing it, that stunning sentence comes to us. As in, the right words or exciting ideas bubble up seemingly from nowhere when we are not concentrating so hard.

That’s why you must keep notebooks everywhere. Beside your bed, on the kitchen counter, in the car, bathroom, wherever it is that your ideas tend to come to you. It’s a personal thing – the arrival of that uninvited, yet most welcome thought. What’s not individual or personal is that it happens to every writer, the perfect thought can come unbidden at any time. A notebook in your pocket or handbag is not enough. Maybe you were transcribing and forgot to take your notebook with you. That perfect phrase will never come back again. Believe me; it’s best to write down your thought when it comes. Don’t think it will ever come back the way it did because it won’t. When it’s gone, it’s gone forever.

Be sure to read my blog series From Notes to First Draft on then turning these notes into scenes for your novel! 

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Story ideas; Where to get them, and how to use them.

Story ideasStory ideas imprint themselves on my brain and I cannot get rid of them until I write them down. They replay themselves, like movies, and I am always subconsciously trying to write the idea or scene down, to describe it.

It’s a very good idea to try and work out how you form your story ideas. If you can figure out how your brain ‘finds a story’ it helps you understand yourself as writer. It can also be the key to helping you get out of a writing slump or writer’s block. 

Story ideasHow are the ‘idea seeds’ for your stories planted? Do they grow from a person you saw or met? Did that person then morph into a character that became a story? Are your ideas born from one anecdotal story that grows into ten more anecdotal stories, until you ultimately have all those yarns knitted together to form a narrative?

Even if all you craft are vignettes, these scenes can be a great way to start a chapter. They help you lead,Story ideas or segue into the body of your chapter. They give you a chance to say something about your character before you go on to write what it is that the chapter has to say. In other words, the chapter needs an interesting place to start so that you can take your story where it has to go. 

Start now to try and figure out where your ideas come from.

Story ideas

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Rewrite after rewrite; edit your book until it’s finished.

Rewrite after rewrite; edit your book until it's finished.Yet another rewrite. My fifth and I’m told to expect more.

So I am working on a new book, as you know. It’s a novel – my first actually as my last four books were either creative non-fiction or non-fiction. The pages before me are fourth draft. The first draft was in third person and that didn’t feel right. The second draft became first person. I rewrote the third draft because the story needed big character changes and improvements. The text then needed a fourth draft to make it fit into a tight ‘thriller’ genre with a big suspense emphasis. This need to restructure the fourth time became screamingly obvious after a reread as I wanted to follow the rule ‘the story should turn about every four to six pages.’ Nowadays, if you want to sell, and sell well, you basically have to follow that rule.  

Now, after having shown it to a good friend who is also a top New York literary agent, the advice is that my new book needs, yet again, another draft. This will be my 5th draft and now the book will be in third person (again).

Rewrite after rewrite; edit your book until it's finished.

Whining about rewrites will do no good. We write, that’s what we do. Again and again and again, changing, recrafting, improving, omitting, and adding. Part of being a writer is knowing that rewriting is compulsory. If you don’t want to rewrite – then get out of the game now. If you think what you’ve written is perfect and doesn’t need rewriting, you’ll never be published.

A dear friend of mine, on a three book deal with Little Brown, is on her TENTH rewrite. I have nothing to complain about.

Rewrite after rewrite; edit your book until it's finished.The more you rewrite, the faster you become at writing. I am a slow writer (no surprises there, you’ve only been waiting for this new book for about three years, or more) and I need to be faster. The only way I am going to write faster is by writing more. I need to rewrite, write faster and ultimately write better, without fear of the text being crappy. I can edit the bad bits out later. Right now I have to rewrite, then write more and faster.

Everyone has to rewrite, there is no way around it.

I totally do NOT buy into this (a tip I found on the internet) attitude:

Eventually, redrafting will just spoil the novel – there is a danger that the story you set out to write ends up so ‘surgically’ enhanced that it no longer resembles the original story – the intrinsic core of the story has been lost.

Rewrite after rewrite; edit your book until it's finished.I do not agree with this advice because fundamentally I am a journalist, accustomed to being questioned, subjected to Fact Finders, sub-editors and finicky editors who know what story they want and how it should be crafted. I bow to their expertise. I trust those with more experience than me. I humbly accept advice though do not automatically take it. If I see what they mean, I accept their advice.

But I know, after being in this game for my entire life, that I must rewrite. Again.

I agree with Michael Crichton, ‘good books are not written. Good books are rewritten.’

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

When you and your writing need oxygen. Chatting with Tracey Spicer.

When you and your writing need oxygen. Chatting with Tracey Spicer.When interviewing the fabulous women’s advocate, writer and Australian TV journalist Tracey Spicer this week, we touched on how writing books can play with your head and your heart. How loneliness, a need for human contact creeps in because of writer’s solitude.

‘What do you do,’ asked Tracey, ‘when writing alone for hours?’ Yes, it can be lonely and we start to crave social interchange after hours of thinking and writing on our own.

When you and your writing need oxygen. Chatting with Tracey Spicer.‘I know the triggers,’ I responded. ‘There’s a feeling I get, a low, down kind of sensation that usually means it’s time to get out and call some friends for lunch.’ Think about it. Know yourselves, listen to your emotions and become attuned to them. Snip out any dark seeds before they bud. Cut the empty feeling before it spirals. Call a friend for a walk, lunch, coffee. You cannot be creative if your inner creative world needs nurturing.

When your writing is not flowing, most of the time, you and your words simply need oxygen.

When you and your writing need oxygen. Chatting with Tracey Spicer.And there are Quick Fixes. Grab your notebook, pen and keys and GO. LEAVE your computer. LEAVE your phone at home. Walk, write and think. Walking and writing definitely works.

Tracey’s new book is out on April 24 with HarperCollins. The Good Girl Stripped Bare promises to be an extraordinary read. Her advice on turning off all Apps to achieve maximum concentration and output is essential.

The only way you are going to produce good work is by being aware of your high and low emotions. Allow yourself, give yourself permission to leave your computer for nurturing time. See friends, refresh yourself, and go for a walk. Don’t let yourself or your inner world exhaust itself.

When you and your writing need oxygen. Chatting with Tracey Spicer.All that said, Tracey and I do tend to be very disciplined. We know we have to get the job done and the book finished. If you are the opposite and keep saying yes to all your friends’ invitations, then stop that right now. Are you often out wandering on walks? Then get back to your computer and start writing this instant!

And TURN OFF YOUR PHONE!

Why every writer should join a writers group.

There are no excuses anymore. By joining my little writers group in Florence I must write, must edit and must listen to my fellow writer’s thoughts and advice. Why didn’t I do this earlier?

Thinking of joining a Writers Group? Here's why you should.My writers group lets me know what is not clicking. So often we think our readers will understand, that they will ‘get’ what we’ve written. But my writers group lets me know that, actually, they didn’t pick up the thread because I wasn’t clear enough, or didn’t explain enough. Yes, it’s a little daunting, scary, being picked apart but it’s so good for your work! Your writing group sees where you can extrapolate. They let you know whether your story is engaging or not. My last question to my fellow writers this week was ‘do you want to know more?’ and that, as a writer, is what we are aiming for, no? Are you hooking your readers? Are they bored? Overwhelmed? Disinterested?

Thinking of joining a Writers Group? Here's why you should.I must say, I had put off joining any kind of writers group for years. It’s my first time. Funny, huh, after four books and finally on my fifth that I now know I need fresh takes, readers, second opinions. Probably because this is my first Fiction book, while the others were all Creative Non-Fiction. I cannot recommend sharing with a writers group highly enough. Especially if you are embarking on a new form of writing, like I am.

Thinking of joining a Writers Group? Here's why you should.Am I being narcissistic also adding that the thought of plagiarism within writers groups also scared me? I had heard of writers sharing their work, only to have ideas copied, concepts imitated and phrases plagiarized. But I flattered myself. Their work is fantastic! Who did I think I was? They’re amazing! My work is paltry compared to theirs.

Check your library or local arts group for any writers that meet up. Start a Google Docs Sharing session so you can all post your work, and pick the month to upload your work.

Go on, do yourself a favor and force yourself to diarize, write, share and enjoy writing with other people. Regularly!

Thinking of joining a Writers Group? Here's why you should.

Characterization that will keep readers compelled.

What’s the difference between superficial and deep characterization?

Deeper comprehension of point of view and why a character makes certain decisions is deep characterization. Give readers a three dimensional grasp of your protagonist with motive and point of view, not only a superficial description of their voice or hair.

Characterization that will keep readers compelled.

Shallow habits, way of life, routines and mannerisms can lead us to formulate a way to show deeper description. Habits are formed, a way of living arrived at, routines chosen and mannerisms developed. How? Your superficial portrayals can reveal moral fiber and history. Excellent! But generally speaking your reader will really understand the protagonist’s fundamental character when they understand his/her point of view. That’s where you have to show not tell. Scenes that tell a story explain point of view.

Characterization that will keep readers compelled.

I like to establish motive first and foremost. Motive obsesses me for the first 20,000 words at least. I feel that if readers don’t understand the why, then you are not going to convince them, or make them believe. For example, in my new book, why is Leone lonely? Why doesn’t she have any friends in Florence? Why is her mother-in-law such a big part of her life? And why is she, of all people, being targeted by con people? Once I have those deeper characterization issues sorted, with stories and scenes, the plot can fully evolve and my readers will believe everything that happens to Leone.

Your reader should clearly understand why the protagonist makes certain decisions; only then can they understand the problem, action or ‘what’s at stake.’

If, through superficial and deep characterization your protagonist and antagonist are believable and compelling, you’re on your way!

And if you would like to learn more about building a strong, memorable cast in your novel, visit my previous blog on how to create distinguishing aspects for each of your characters. Be sure to also check out my favourite character-building tool, the Character Bible

Characterization that will keep readers compelled.

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