The Art of Writing

A Writers Retreat in Tuscany

Tag: writing ideas (page 1 of 3)

Check out what our writers are reading this summer.

We have the most wonderful group of professional writers on the Art of Writing team. From New York best sellers to UK literary award winners, our teachers make a living from their writing. That’s our dream job, no? To become a career writer. It’s such an honour to have the wonderful writers listed below on our teachers’ lineup.

So what are The Art of Writing creative writing teachers reading and writing this summer?

New York best sellers list author, Jane Corry, is reading The Breakdown by B. A. Paris. Having just read Jane’s My Husband’s Wife, I was thrilled to see her new book Blood Sisters with Penguin is also out this summer. But what is Jane writing now? “This European summer will be a busy few months. I am writing next year’s book for Penguin, The Dead Ex.” What a gift to have Jane’s advice and guidance next year. After her three book Penguin deal, Jane will have much to teach us from June 3-9, 2018.

Out wonderful Manuscript Reader and teacher, Emma Fraser told me yesterday that she has just finished reading His Bloody Project by Roderick Macrae. Emma has just picked up The Client by John Grisham (apparently she put it aside for a while) and when that’s finished Emma will read The House by the Lake by Thomas Harding.

Every time I speak to Emma she is on a tight publishing contract deadline, this time it’s a three book deal with Little Brown. “I’m currently writing a multi-generational novel about love, betrayal and atonement set against the background of the Fall of Singapore and Scotland. It’s called Greyfriars and is due out in January 2018!” And away she went to get on with revisions!  

From September 10-16, 2017, multiple award-winning and internationally renowned British author of five novels for adults and three for young adults, Martyn Bedford will join us in Tuscany. Martyn’s book Flip managed to keep my 15 year old son’s interest from beginning to end. No small feat.

Chatting to Martyn this week he said he was just back to the UK after three days in Italy. “I was taking part in the Mare di Libri (Sea of Books) Festival of writing for children and young adults. When I go abroad I always try to read a book from that country, so I took Elena Ferrante’s My Brilliant Friend. It’s the first of her highly acclaimed Neapolitan quartet. Okay, the novel is set in Naples rather than Rimini, where I’ve been staying, but it’s a literary flavour of Italy nonetheless. As many readers and critics before me have been, I am absolutely engrossed by the tale of Lenu’s and Lila’s turbulent friendship during childhood and adolescence. No doubt, I will take the second book with me when I visit Tuscany for my week’s tutoring with the Art of Writing from September 10-16!”

Having read the Elena Ferrante books I am looking forward to talking to Martyn about them.

So what is Martyn writing right now? “I’m forty thousand words into the first draft of my new novel for teenagers and young adults, The House that Jacaranda Built. I don’t like to talk about novels-in-progress before at least a draft is completed, in case the idea goes stale on me for being “explained” before it’s written. So I’ll just say that it’s the tale of a family that offers refuge to a homeless teenager who they find asleep in the doorway of their café, and the consequences arising from their decision.”

Am always fascinated to hear what writers are working on and also what they’re reading. This Blog makes for a good Summer Reading List! Thanks so much to The Art of Writing writers for their thoughts and best wishes to everyone for a productive summer of writing.

Hugs from Florence!

Lisa

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Find the right words, and learn how to keep them from getting away.

The right words, unique thoughts, perfect phrases, stunning sentence construction – why is it that they often come unbidden when you’re away from your computer?

It’s interesting how prose flows when you drive your car, take your shower, cook your dinner or hear a certain song.

Find the right wordsThere is something about doing something else that clears your mind and lets the right words come. Sometimes we sit at our computers for hours and labour over the right expression but it does not emerge. It seems as though our conscious mind is blocking the flow of our creativity and that once we step away from forcing it, that stunning sentence comes to us. As in, the right words or exciting ideas bubble up seemingly from nowhere when we are not concentrating so hard.

That’s why you must keep notebooks everywhere. Beside your bed, on the kitchen counter, in the car, bathroom, wherever it is that your ideas tend to come to you. It’s a personal thing – the arrival of that uninvited, yet most welcome thought. What’s not individual or personal is that it happens to every writer, the perfect thought can come unbidden at any time. A notebook in your pocket or handbag is not enough. Maybe you were transcribing and forgot to take your notebook with you. That perfect phrase will never come back again. Believe me; it’s best to write down your thought when it comes. Don’t think it will ever come back the way it did because it won’t. When it’s gone, it’s gone forever.

Be sure to read my blog series From Notes to First Draft on then turning these notes into scenes for your novel! 

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Story ideas; Where to get them, and how to use them.

Story ideasStory ideas imprint themselves on my brain and I cannot get rid of them until I write them down. They replay themselves, like movies, and I am always subconsciously trying to write the idea or scene down, to describe it.

It’s a very good idea to try and work out how you form your story ideas. If you can figure out how your brain ‘finds a story’ it helps you understand yourself as writer. It can also be the key to helping you get out of a writing slump or writer’s block. 

Story ideasHow are the ‘idea seeds’ for your stories planted? Do they grow from a person you saw or met? Did that person then morph into a character that became a story? Are your ideas born from one anecdotal story that grows into ten more anecdotal stories, until you ultimately have all those yarns knitted together to form a narrative?

Even if all you craft are vignettes, these scenes can be a great way to start a chapter. They help you lead,Story ideas or segue into the body of your chapter. They give you a chance to say something about your character before you go on to write what it is that the chapter has to say. In other words, the chapter needs an interesting place to start so that you can take your story where it has to go. 

Start now to try and figure out where your ideas come from.

Story ideas

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

Rewrite after rewrite; edit your book until it’s finished.

Rewrite after rewrite; edit your book until it's finished.Yet another rewrite. My fifth and I’m told to expect more.

So I am working on a new book, as you know. It’s a novel – my first actually as my last four books were either creative non-fiction or non-fiction. The pages before me are fourth draft. The first draft was in third person and that didn’t feel right. The second draft became first person. I rewrote the third draft because the story needed big character changes and improvements. The text then needed a fourth draft to make it fit into a tight ‘thriller’ genre with a big suspense emphasis. This need to restructure the fourth time became screamingly obvious after a reread as I wanted to follow the rule ‘the story should turn about every four to six pages.’ Nowadays, if you want to sell, and sell well, you basically have to follow that rule.  

Now, after having shown it to a good friend who is also a top New York literary agent, the advice is that my new book needs, yet again, another draft. This will be my 5th draft and now the book will be in third person (again).

Rewrite after rewrite; edit your book until it's finished.

Whining about rewrites will do no good. We write, that’s what we do. Again and again and again, changing, recrafting, improving, omitting, and adding. Part of being a writer is knowing that rewriting is compulsory. If you don’t want to rewrite – then get out of the game now. If you think what you’ve written is perfect and doesn’t need rewriting, you’ll never be published.

A dear friend of mine, on a three book deal with Little Brown, is on her TENTH rewrite. I have nothing to complain about.

Rewrite after rewrite; edit your book until it's finished.The more you rewrite, the faster you become at writing. I am a slow writer (no surprises there, you’ve only been waiting for this new book for about three years, or more) and I need to be faster. The only way I am going to write faster is by writing more. I need to rewrite, write faster and ultimately write better, without fear of the text being crappy. I can edit the bad bits out later. Right now I have to rewrite, then write more and faster.

Everyone has to rewrite, there is no way around it.

I totally do NOT buy into this (a tip I found on the internet) attitude:

Eventually, redrafting will just spoil the novel – there is a danger that the story you set out to write ends up so ‘surgically’ enhanced that it no longer resembles the original story – the intrinsic core of the story has been lost.

Rewrite after rewrite; edit your book until it's finished.I do not agree with this advice because fundamentally I am a journalist, accustomed to being questioned, subjected to Fact Finders, sub-editors and finicky editors who know what story they want and how it should be crafted. I bow to their expertise. I trust those with more experience than me. I humbly accept advice though do not automatically take it. If I see what they mean, I accept their advice.

But I know, after being in this game for my entire life, that I must rewrite. Again.

I agree with Michael Crichton, ‘good books are not written. Good books are rewritten.’

Do you love writing? Would you like to join The Art of Writing team in Tuscany? Let’s dream, plot, write, learn and grow as writers for a week together.  Email me at lisacliffordwriter@gmail.com so that I can tell you more about our annual creative writing retreats.

When you and your writing need oxygen. Chatting with Tracey Spicer.

When you and your writing need oxygen. Chatting with Tracey Spicer.When interviewing the fabulous women’s advocate, writer and Australian TV journalist Tracey Spicer this week, we touched on how writing books can play with your head and your heart. How loneliness, a need for human contact creeps in because of writer’s solitude.

‘What do you do,’ asked Tracey, ‘when writing alone for hours?’ Yes, it can be lonely and we start to crave social interchange after hours of thinking and writing on our own.

When you and your writing need oxygen. Chatting with Tracey Spicer.‘I know the triggers,’ I responded. ‘There’s a feeling I get, a low, down kind of sensation that usually means it’s time to get out and call some friends for lunch.’ Think about it. Know yourselves, listen to your emotions and become attuned to them. Snip out any dark seeds before they bud. Cut the empty feeling before it spirals. Call a friend for a walk, lunch, coffee. You cannot be creative if your inner creative world needs nurturing.

When your writing is not flowing, most of the time, you and your words simply need oxygen.

When you and your writing need oxygen. Chatting with Tracey Spicer.And there are Quick Fixes. Grab your notebook, pen and keys and GO. LEAVE your computer. LEAVE your phone at home. Walk, write and think. Walking and writing definitely works.

Tracey’s new book is out on April 24 with HarperCollins. The Good Girl Stripped Bare promises to be an extraordinary read. Her advice on turning off all Apps to achieve maximum concentration and output is essential.

The only way you are going to produce good work is by being aware of your high and low emotions. Allow yourself, give yourself permission to leave your computer for nurturing time. See friends, refresh yourself, and go for a walk. Don’t let yourself or your inner world exhaust itself.

When you and your writing need oxygen. Chatting with Tracey Spicer.All that said, Tracey and I do tend to be very disciplined. We know we have to get the job done and the book finished. If you are the opposite and keep saying yes to all your friends’ invitations, then stop that right now. Are you often out wandering on walks? Then get back to your computer and start writing this instant!

And TURN OFF YOUR PHONE!

Why every writer should join a writers group.

There are no excuses anymore. By joining my little writers group in Florence I must write, must edit and must listen to my fellow writer’s thoughts and advice. Why didn’t I do this earlier?

Thinking of joining a Writers Group? Here's why you should.My writers group lets me know what is not clicking. So often we think our readers will understand, that they will ‘get’ what we’ve written. But my writers group lets me know that, actually, they didn’t pick up the thread because I wasn’t clear enough, or didn’t explain enough. Yes, it’s a little daunting, scary, being picked apart but it’s so good for your work! Your writing group sees where you can extrapolate. They let you know whether your story is engaging or not. My last question to my fellow writers this week was ‘do you want to know more?’ and that, as a writer, is what we are aiming for, no? Are you hooking your readers? Are they bored? Overwhelmed? Disinterested?

Thinking of joining a Writers Group? Here's why you should.I must say, I had put off joining any kind of writers group for years. It’s my first time. Funny, huh, after four books and finally on my fifth that I now know I need fresh takes, readers, second opinions. Probably because this is my first Fiction book, while the others were all Creative Non-Fiction. I cannot recommend sharing with a writers group highly enough. Especially if you are embarking on a new form of writing, like I am.

Thinking of joining a Writers Group? Here's why you should.Am I being narcissistic also adding that the thought of plagiarism within writers groups also scared me? I had heard of writers sharing their work, only to have ideas copied, concepts imitated and phrases plagiarized. But I flattered myself. Their work is fantastic! Who did I think I was? They’re amazing! My work is paltry compared to theirs.

Check your library or local arts group for any writers that meet up. Start a Google Docs Sharing session so you can all post your work, and pick the month to upload your work.

Go on, do yourself a favor and force yourself to diarize, write, share and enjoy writing with other people. Regularly!

Thinking of joining a Writers Group? Here's why you should.

Characterization that will keep readers compelled.

What’s the difference between superficial and deep characterization?

Deeper comprehension of point of view and why a character makes certain decisions is deep characterization. Give readers a three dimensional grasp of your protagonist with motive and point of view, not only a superficial description of their voice or hair.

Characterization that will keep readers compelled.

Shallow habits, way of life, routines and mannerisms can lead us to formulate a way to show deeper description. Habits are formed, a way of living arrived at, routines chosen and mannerisms developed. How? Your superficial portrayals can reveal moral fiber and history. Excellent! But generally speaking your reader will really understand the protagonist’s fundamental character when they understand his/her point of view. That’s where you have to show not tell. Scenes that tell a story explain point of view.

Characterization that will keep readers compelled.

I like to establish motive first and foremost. Motive obsesses me for the first 20,000 words at least. I feel that if readers don’t understand the why, then you are not going to convince them, or make them believe. For example, in my new book, why is Leone lonely? Why doesn’t she have any friends in Florence? Why is her mother-in-law such a big part of her life? And why is she, of all people, being targeted by con people? Once I have those deeper characterization issues sorted, with stories and scenes, the plot can fully evolve and my readers will believe everything that happens to Leone.

Your reader should clearly understand why the protagonist makes certain decisions; only then can they understand the problem, action or ‘what’s at stake.’

If, through superficial and deep characterization your protagonist and antagonist are believable and compelling, you’re on your way!

And if you would like to learn more about building a strong, memorable cast in your novel, visit my previous blog on how to create distinguishing aspects for each of your characters. Be sure to also check out my favourite character-building tool, the Character Bible

Characterization that will keep readers compelled.

Begin your novel with action and save the back story for later.

Begin your novel with action and save the back story for later.Don’t start your book with back story! When reading manuscripts, story lines, plot ideas and structure concepts for my Tuscany writers retreats, starting with back story is one of the biggest problems I see. Start your story with the action, problem, conflict or whatever it is that must be overcome. Begin with the ‘what’s at stake’. Weave the back story in later, with character.

Begin your novel with action and save the back story for later.So many great stories end up getting thrown out of the agent’s or publisher’s slush pile because they simply don’t grab the reader’s attention enough right from the start.

Begin your novel with action and save the back story for later.It’s tempting to build the first chapter up slowly, using beautiful words and prose, and I blogged on the error of letting beautiful prose get in the way of clear and immediate storytelling here.  It won’t snare you a deal.

Begin your novel with action and save the back story for later.During The Art of Writing, every night we interview global agents and publishers. Every year our discussions confirm time and again – beyond doubt – that agents and publishers want and will not accept anything less than gripping text. From the first sentence!

Begin your novel with action and save the back story for later.In 2017, strong story lines that hook readers from the first chapter are more essential than ever. Please remember, don’t start with back story. Go for deeper characters, more compelling dialogue and thrilling plot lines.

If you want to know more about what else your writing needs, have a look at our Programmes for The Art of Wiring in June and September. We have a killer program coming up this year!

And check out this past Blog too on five common manuscript errors.

Begin your novel with action and save the back story for later.

This Valentine’s Day, turn the love back onto yourself: nurture the artist within.

This Valentine's, turn the love back onto yourself: nurture the artist within.I love Valentine’s Day. I love the flowers, the sentiment and the message behind a day dedicated to love. Romantic love. However this February 14 I would suggest that you turn that love back onto yourself. It’s been such a crazy year, with international news making many of us depressed, emotional and anxious. It’s a weird time in the world. So why not, in 2017, on the day of romantic love, nurture the artist within and give yourself a present?

This Valentine's, turn the love back onto yourself: nurture the artist within.As one of my favourite creative teachers, Julia Cameron, says: ‘Do something for yourself that you normally wouldn’t do. In order to have a real relationship with our creativity we must take the time and care to cultivate it.’

So nurture the artist within! Your special treat can be something as simple as an hour in a café, with a pen and paper, making a list of all the things you’d like to do this year. Maybe make a list of all the things you’d like to do or achieve in your lifetime. Knowing that if you are a part of this Blog, you are a creative, here are some creative gift ideas to give to yourself on Valentine’s Day this year:

This Valentine's, turn the love back onto yourself: nurture the artist within.Buy yourself a lovely new notebook, one that you always thought was too expensive for yourself.

Buy yourself some sweet little pot plants for your windowsill or garden.

Get those pots of rosemary, sage and basil – even if it’s just because they smell nice!

This Valentine's, turn the love back onto yourself: nurture the artist within.Buy some inexpensive water colours or sepia water colour pens and take the time to draw or paint some pages in your notebook, while you listen to your favourite music.

Get that special bottle of wine, special coffee or special tea – your favourite, not your child, mother or spouse’s favourite!

Buy a ticket to your favourite band, show, production or play.

This Valentine's, turn the love back onto yourself: nurture the artist within.Make or buy your favourite sauce, relish or jam.

Go for a walk to your favourite museum or art gallery, or browse your favourite shop.

Make a date with yourself to go to some different flea markets or foreign food shop.

Buy a new novel.

This Valentine’s Day stay cultured, stay calm and stay happy on the inside. Above all, remember YOU don’t need a Valentine. You have YOU! And you are special.

This Valentine's, turn the love back onto yourself: nurture the artist within.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert Zuckerman

Writing the Blockbuster Novel; learning from New York Literary Agent Albert ZuckermanAm reading such a good book on writing at the moment, one that has inspired this Blog. Albert Zuckerman is the New York Literary Agent responsible for doctoring some two dozen blockbuster novels. It is with great reverence that I read his thoughts on how to produce a perfectly polished final manuscript, every morning.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert ZuckermanSince finishing Julia Child’s The Artists’ Way (which lasted me about eight months) I had been writing my morning pages solely in journal form, like a diary. I wrote every morning, just to write, without reading a book with creative writing exercises, artistic guidance, direction or help. In other words, I wrote just to write, to kick-start the day’s work in front of the computer.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert ZuckermanHowever, my Morning Pages of journaling lasted about a month before I became mind-numbingly bored with my own jaded, tired, same old, same old diary keeping. Actually my Morning Pages just became a list of things that were pissing me off (my husband featured as protagonist a lot – sorry Paolo). Then along came Writing the Blockbuster Novel by Albert Zuckerman. I will never journal again. I will always, from now on, do my Morning Pages with someone like Albert.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert ZuckermanNot only do I learn and grow, rather than navel gaze, but Albert is also helping me realise that I am on the right track with my goals and dreams in setting my new novel in a contemporary Florence. Albert says ‘Readers enjoy being introduced to exotic environments where, almost as tourists or students, they can observe and learn about customs, mores, rituals, modes of dress and etiquette, social and business practises largely or wholly alien to those with which they are familiar.’ Because on the whole, readers like to learn. Of course this is not the case with all blockbusters and all novels but some of the best known examples of environmentally dominated bestsellers are Airport, Hotel, Overload, Wheels, The Moneychangers, Alaska, Chesapeake, Poland, Hawaii, Texas, Tai-Pan, Nobel House and Shogun. Then there are the techno blockbusters set on planes or submarines etc.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert ZuckermanAll of which inspires me to write to you and tell you that you can set your book in your own backyard as well, but only if you invent a backyard with unique, culturally spot-on characters and plot that has distinctly different dialogue/dialect and details. But if you are choosing a setting right now for your plot, chose a setting that’s different. That unique setting will help sell your book.

It all makes Florence seem like a good setting for a contemporary thriller. Right, I must get back to my writing now because Albert has inspired me to keep going…and also to learn and grow in the morning over breakfast rather than ruminate on my own dull thoughts.

Writing the Blockbuster Novel; learning from New York Literary Agent Albert Zuckerman

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